Legs Up: Photographer Jürgen Teller’s Playful Take on an Age-Old Fertility Myth
In a delightful twist on the ancient fertility myth, photographer Jürgen Teller invites us to indulge in his provocative and whimsical link series. This enticing body of work, first published in 1992 and revisited in a newly expanded edition in 2016, features a captivating assortment of images that reimagine the age-old myth with an audacious sense of playfulness and modernity.
A Timeless Myth, Reimagined
Rooted in the belief that women who stood with their legs spread wide were more likely to conceive, the fertility myth has been passed down through generations. Teller takes this notion and injects it with his signature wit and irreverence. By photographing women in various stages of undress, their legs elevated and splayed out in front of them, Teller offers a fresh perspective on this time-honored belief.
Unraveling the Layers of Meaning
While the ‘Legs Up’ series can be appreciated as a playful nod to the fertility myth, it also invites deeper contemplation. The images, shot primarily in black and white, possess an undeniable allure that transcends their initial interpretation. By presenting women in a raw, unapologetic light, Teller challenges societal norms and invites us to question the complexities of desire, femininity, and power.
A Visual Feast for the Soul
The ‘Legs Up’ series is a visual treat, combining Teller’s masterful photography with the raw beauty of the female form. Each image, while distinct in its composition and subject matter, is united by a common thread of vulnerability, strength, and sensuality. The result is an enthralling collection that defies easy categorization and leaves viewers captivated by its enigmatic allure.
Introduction
Ancient fertility myths have intrigued humans for millennia, as they offer explanations to the mysteries of life’s creation. One such belief involves women placing their legs in an elevated position during conception, believing it would help facilitate pregnancy. Fast forward to the modern era, where we encounter Jürgen Teller, a renowned German photographer known for his provocative and playful work. This essay explores an unconventional connection between Teller’s photography and this ancient fertility myth, shedding light on the power of art to challenge conventional wisdom.
Background Information
Ancient Fertility Myths
Ancient fertility myths, prevalent across diverse cultures and civilizations, attribute women’s ability to conceive to various factors. One such belief is the idea that assuming an elevated position during intercourse would enable the sperm to reach the cervix more easily and improve the chances of conception. This practice, known as lying in, was prevalent among some cultures for centuries. However, with the advancement of scientific knowledge, such beliefs have been debunked, leaving us to ponder their enduring appeal.
Jürgen Teller
Born in 1964, Jürgen Teller is a renowned German photographer whose work transcends the boundaries of traditional photography. With an extensive portfolio spanning fashion, portraits, and conceptual art, Teller’s provocative images often challenge societal norms and evoke strong reactions. His playful approach to photography has garnered him international recognition and a dedicated following.
The Connection
Visualizing the Myth
In Teller’s 2006 series “Bilder,” he explores the concept of the feminine form through a collection of photographs featuring women in various stages of undress, reclining on beds or elevated surfaces. The images evoke a sense of sensuality and vulnerability, inviting the viewer to contemplate the connection between the feminine body and the ancient fertility myth. By visually reinterpreting this age-old belief, Teller challenges our perceptions of art, photography, and the role of women in society.
The Concept behind Teller’s “Legs Up” Series
The “Legs Up” series by photographer Diane Arbus, although not explicitly about fertility or pregnancy, has been interpreted as such due to its striking imagery and the symbolism it carries. This series, consisting of monochrome images, captures women in various stages of undress with their legs raised and often supported by props. The stark contrast between the black-and-white palette and the women’s exposed skin adds to the raw and vulnerable feel of the photographs.
Black-and-White Images:
Each image in the “Legs Up” series is a testament to Arbus’ ability to challenge societal norms and explore human condition through her lens. The black-and-white images serve to eliminate distractions, focusing the viewer’s attention solely on the women and their elevated limbs. This visual simplicity further emphasizes the significance of the title and the symbolism it holds.
Title “Legs Up”: A Fertility Myth Reference
The title “Legs Up” has been linked to the ancient fertility myth of women elevating their legs to attract conception. This belief dates back to the 16th century, and although not substantiated by scientific evidence, it adds a layer of intrigue and interpretation to Arbus’ work. The notion of women baring their legs as an invitation for new life resonates with viewers, igniting curiosity and sparking discussion about the role of femininity, vulnerability, and transformation in her art.
Title “Legs Up”: A Submission Act
Moreover, the title “Legs Up” can be seen as a reference to the act of submission for a photograph. Women in these images are not only opening themselves up physically but also emotionally, revealing their most vulnerable selves to Arbus and ultimately to the audience. The power dynamic at play between photographer and subject is undeniable, adding another layer to the complexity of this intriguing series.
I The Playful Elements in Teller’s “Legs Up” Series:
In his “Legs Up” series, Teller employs a clever blend of humor and irony to subvert the seriousness often associated with fertility myths.
Women in unconventional poses or with unexpected objects:
Teller’s images feature women in unconventional poses or with unexpected objects, challenging the viewer’s expectations and adding a playful twist to the theme of fertility. For instance, a woman might be shown balancing a giant balloon between her legs, or perched atop a bicycle with her skirt hitched up. These images not only undermine the solemnity typically attributed to fertility myths, but also invite viewers to question their assumptions about the relationship between women’s bodies and fertility.
The women’s expressions often display a sense of amusement or self-awareness:
Another way Teller subverts the seriousness of fertility myths is through the women’s expressions. In many images, the women exhibit a sense of amusement or self-awareness, further emphasizing the playful nature of the series. This contrasts with traditional representations of women in fertility myths, which often depict them as serious or even somber figures. By injecting humor and irony into the scene, Teller offers a fresh perspective on this age-old theme.
Exploring how Teller challenges traditional depictions of women in photography:
Women in control of their bodies and agency in the photographic process:
Teller’s “Legs Up” series also challenges traditional depictions of women in photography, particularly in the context of fertility and sexuality. By placing women in control of their bodies and the photographic process itself, Teller empowers his subjects and subverts the male gaze that has historically dominated the medium. This shift in power dynamics allows for a more authentic and genuine portrayal of women, rather than the often objectified or sexualized images that have come before.
The use of imperfect, unidealized bodies:
Lastly, Teller’s series challenges traditional depictions of women in photography through the use of imperfect, unidealized bodies. Rather than presenting idealized, sexualized images, Teller’s photographs embrace the realities and complexities of women’s bodies. This approach not only adds to the playful and ironic nature of the series, but also contributes to a more inclusive and diverse representation of women in photography. By breaking away from conventional depictions of women’s bodies, Teller offers a refreshing and thought-provoking perspective on the relationship between fertility, sexuality, and photography.
The Reception and Impact of Teller’s “Legs Up” Series:
IV.. The reception and impact of Diane Arbus‘s former assistant, Richard Teller, “Legs Up” series (1970) have been subject to extensive critique and analysis. This body of work, featuring women lying on their backs with their legs spread apart, has been interpreted through various lenses.
Analyzing Critical Responses:
The critical response to “Legs Up” has been a complex blend of praises and criticisms. Many critics admired Teller’s playful subversion of the fertility myth, which he often referred to in his interviews. The series was seen as a commentary on societal taboos surrounding female sexuality and the female body. Some critics also applauded Teller’s raw, unpretentious approach, which stood in stark contrast to the polished images of mainstream photography.
Positive reception:
Positive critiques of the series focused on Teller’s ability to capture the vulnerability and strength of his subjects. The images were seen as empowering, defying traditional societal norms that objectified women’s bodies. The series was also praised for its technical excellence and the use of natural light.
Criticisms:
On the other hand, some critics argued that “Legs Up” perpetuated objectification and fetishization of women. Despite Teller’s intentions, which he expressed as an exploration of the human form and sexuality, some argued that the series contributed to a harmful discourse around women’s bodies.
Fitting into Teller’s Career and Artistic Vision:
| Series: | “Legs Up” (1970) |
| Artist: | Richard Teller |
| Genre: | Contemporary Photography |
The “Legs Up” series represents a pivotal point in Teller’s career, showcasing his interest in exploring the human form and sexuality. This interest can be traced back to his work with Arbus, who was known for her provocative portraits of marginalized communities. However, unlike Arbus, Teller’s approach was more direct and less subtle, pushing boundaries with his unapologetic depiction of female sexuality.
Legacy and Influence:
The impact of “Legs Up” can be seen in the works of later artists and photographers, who tackled similar themes with their own unique perspectives. Artists like Nan Goldin, Cindy Sherman, and Sally Mann have all been influenced by Teller’s work, incorporating raw, unfiltered depictions of the human form and sexuality into their art.
Conclusion
In “Legs Up,” Teller presents a unique and playful interpretation of the fertility myth, which is both innovative and thought-provoking. Harkening back to ancient civilizations, where fertility goddesses were revered for their ability to bring forth new life, Teller invites the viewer to contemplate the power of women’s bodies and their connection to nature. Through her whimsical images, she challenges traditional perceptions of sexuality in photography, breaking away from the objectifying gaze that has long dominated the medium.
Recap of Main Points
Firstly, Teller’s use of everyday objects and situations, such as a pair of legs propped up on a chair or a woman standing in front of a kitchen counter, imbues her work with a sense of familiarity and accessibility. Simultaneously, she elevates these mundane moments to the realm of the sacred by infusing them with an undercurrent of sensuality and vitality. Furthermore, her incorporation of text and handwriting adds a personal touch to each image, inviting the viewer into her world.
Significance of Teller’s Work
Secondly, the lasting impact of Teller’s work on contemporary art is undeniable. Her innovative approach to photography has paved the way for countless artists who continue to redefine the boundaries of the medium. By presenting women’s bodies in a non-objectified and empowering light, she has challenged traditional power dynamics within the art world and beyond. Her work serves as a reminder that art can be a powerful tool for social change and personal growth.
Challenging Traditional Perceptions
Lastly, Teller’s willingness to challenge traditional perceptions of women and sexuality in photography is a testament to her courage and vision as an artist. She invites the viewer to look beyond the surface and question their own beliefs and assumptions about women, sexuality, and the role of art in society.
Lasting Impact on Contemporary Art
Teller’s groundbreaking work has left an indelible mark on contemporary art. Her innovative approach to photography, which combines the familiar with the fantastical and the personal with the universal, continues to inspire artists and collectors alike. Through her playful and provocative images, she has expanded the possibilities of what art can be and how it can be used to challenge and transform our perceptions of the world.
